2014 PhD, Monash University. Melbourne.
1995 Master of Arts, RM I T University, Melbourne.
1974 Diploma of Education, Teachers College, Melbourne.
1973 Diploma of Art & Design, Prahran College of Advanced Education, Melbourne.


2016 he loves me, he loves me not, RMIT Gallery, Melbourne, Australia.
2015 Cycles Sutton Gallery, Melbourne, Australia.
2014 365 Rotations AC Institute, New York, USA.
Regimes of Value PhD exhibition, MADA Gallery, Monash University.
2013 The Cutting Table Sutton Project Space.
2012 Monochrome Sutton Gallery, Melbourne, Australia.
2010 Savings Sutton Gallery, Melbourne, Australia.
Cuttings (from New York) Sutton Gallery, Melbourne, Australia.
2009 Amor Infiniti AC (Institute Direct) New York.
he loves me, he loves me not AC (Institute Direct) New York.
Genera series 09 Longwood University, Virginia.
2008 Cuttings (from Paris) Sutton Project Space, Melbourne.
2007 Artefacts Galerie 4, Cite Internationale des Arts, Paris.
Urban Artefacts Rewak Gallery, University of Sharjah, UAE.
Prismatics ll Bellas Milani Gallery, Brisbane.
2006 Prismatics l Sutton Gallery, Melbourne.
B/W Cuttings Sutton Gallery, Melbourne.
2005 Conversations 1955 - 2005 and Sites 1980 - 2005 VCA Gallery, Melbourne.
2004 Urban Artefacts Sutton Gallery, Melbourne.
Cuttings (from St.Kilda) Sutton Gallery, Melbourne.
Artefacts Bellas Milani Gallery, Brisbane.
2003 Beyond the everyday: The art of Elizabeth Gower 1974 - 2002 Mildura Arts Centre, Hamilton Art Gallery and Wangaratta Exhibition Gallery, Vic.
2002 Beyond the everyday: the art of Elizabeth Gower Glen Eira City Gallery, Melbourne.
Line of Thought 1975-2002 Sutton Gallery, Melbourne.
Portrait of the Artist as a Young Woman 1974 - 2002 Sutton Gallery, Melbourne.
2001 Cuttings (from Barcelona) Sutton Gallery, Melborne, Bellas Gallery, Brisbane.
2000 Artefacts from the 20th Century Sutton Gallery, Melbourne.
1999 Chance or Design Bellas Gallery Brisbane.
1998 Amor Infiniti (works from London) Sutton Gallery, Melbourne.
1997 Variants Arthouse, London.
Genera series Bellas Gallery, Brisbane.
Chance or Design Geelong Art Gallery , Sale Art Gallery, Victoria.
1996 New Work Sutton Gallery, Melbourne.
Chance or Design Mildura Arts Centre, Mornington Peninsular Art Gallery, Shepparton Art Gallery , Benalla Art Gallery, Victoria
1995 Chance or Design Ian Potter Gallery, University of Melbourne.
1994 A Fragile Life Contemporary Art Space, Canberra.
1993 A Fragile Life Sutton Gallery, Melbourne.
Small Works Bellas Gallery, Brisbane.
1991 Beyond the Everyday Queensland Art Gallery, Brisbane.
Works on Paper Bellas Gallery, Brisbane..
1990 Beyond the Everyday Luba Bilu Gallery, Melbourne.
1989 Found Images Bellas Gallery, Brisbane.
1987 Found Images Lennox Street Gallery, Melbourne.
1984 All Life Long Christine Abrahams Gallery, Melbourne.
1983 City Series Christine Abrahams Gallery, Melbourne.
1982 Institute of Modern Art, Brisbane.
Paper works Christine Abrahams Gallery, Melbourne.
1981 Coventry Gallery, Sydney.
1980 Christine Abrahams Gallery, Melbourne.
1977 Powell Street Gallery, Melbourne.
1976 Ewing & George Paton Gallery, Melbourne.
Central Street Gallery, Sydney.
1975 Hawthorn City Art Gallery, Melbourne.


2015 Project Grant, Australia Council.
Arts Grant, City of Melbourne.
Artists Residency, Nillumbik Shire Council, Laughing Waters, Melbourne.
2014 Artists Residency, Point [B], Brooklyn, New York.
2012 New Work Grant, Australia Council, Visual Arts/Crafts Board.
2009 Co-recipient, American Australian Association, Dame Joan Sutherland Fund.
2008 Artists Residency, Australia Council, New York Studio, USA.
2007 Artists Residency, Dr Denise Hickey studio, Cite Internationale des Arts, Paris.
2006 Australian Postgraduate Award.
2002 Fellowship grant, Australia Council.
Arts Victoria, Professional Development grant
2000 Artists Residency, Australia Council, Barcelona Studio, Spain.
1995 Project grant, Australia Counci.
Purchased Mornington Drawing Prize
1990 Project grant, Australia Council.
1983 Artists Residency, Australia Council, Paretaio Studio, Italy.
1982 Special Projects grant, Australia Council.
Artists Residency Jabberwocky Papermill, Hobart Centre for the Arts.
1980 Alliance Francaise Art Fellowship.
1978 Georges Art Prize.
1977 Travel grant, Australia Council.
1973 Lynch Prize for Painting, Toorak Art Gallery. Melbourne


2015 Virtual Reality, curator Mark Parrish, Point [B], New York
18 x 8: from point A to PointB and back again…, Point [B], New York.
Howard Arkley (and friends), curators Anthony Fitzpatrick and Victoria Lynn, Tarra Warra Museum of Art, Victoria.
Wor(ds/rks), Sutton Projects, Melbourne.
2014 Open Studio, Point [B], New York.
Spring 1883, The Windsor, Melbourne Art Fair, Melbourne.
Domestic Bliss, curator Emma Cox, Deakin University Gallery.
2013 Melbourne Now, curators Max Delany and Tony Ellwood, NGV: Australia & NGV: International Melb.
Regimes of Value, curator Elizabeth Gower with Dr Gillian Whiteley, Margaret Lawrence Gallery and The Substation Melbourne.
Collage: the Heide Collection, curator Lesley Harding, Heide MoMA.
Cut with a knife, curator Emily Jones, East Gippsland Art Gallery Swan Hill Regional Art Gallery, Central Goldfields Gallery,
Kenneth Biennale, curator Kenny Pittock, TCB, Melbourne.
2012 Art Dubai, United Arab Emirates.
Less is More: Minimal and Post-Minimal Art in Australia curator Sue Cramer, Heide Museum of Modern Art, Melbourne.
Cut with a knife curator Emily Jones, Counihan Gallery, Melbourne; Art Space Wodonga, LaTrobe Regional Gallery, Dubbo Regional Gallery,
Bakers Dozen curator Lorna Grear, UTS Gallery, Sydney, Australia.
Feminage: the logic of feminist collage curator Jo Holder, Cross Art Projects, Sydney.
2011 The Rest is Silence, curators Elvis Richardson and Claire Lambe, Death Be Kind, Melbourne.
Black elastic, two umbrellas, a mint leaf and wheels: selected works from the Monash University Collection, curator Rosemary Forde, MUMA, Monash University Museum of Art, Melbourne, Australia.
2010 Instructions for Initial Conditions Drift Station & Parallax Space, Nebraska , USA.
Extreme Beauty: Approaches to the Real curator Kate Briggs, Y3K, Melbourne, Australia.
Stick It! curator Alisa Bunbury, NVG : Australia, Melbourne, Australia.
Who's Afraid of Red, Yellow and Blue curator David Thomas, MUMA, Melbourne, Australia.
Imaging the Apple curator Dr.John R. Neeson and Elizabeth Gower, AC Institute, New York, USA.
Constellations: a Large number of Small Drawings curator Venessa Gerrans,,RMIT Gallery Melbourne, Australia.
Pulp Sutton Gallery, Melbourne, Australia.
2009 Cubism and Australian Artcurator Sue Cramer, Heide MoMA, Melbourne, Australia.
Live in the Limocurator Dr.Holly Crawford, Armory Art Fair, New York, USA.
Pan-demoniumcurator Dr. Gillian Whiteley, AC Institute, New York, USA.
Material Afterlifecurators Stephen T. Samson & Michael Wolf, UICA, Urban Institute of Contemporary Art, Michigan, USA.
Take Outcurator Jackie Borsanyi, Brevard Art Museum, Florida, USA.
6X6X2009Rochester Contemporary Art Center, New York State, USA.
Shilo Projectcurator Dr. Chris McAuliffe, Ian Potter Museum, University of Melbourne, Australia
2008 1000 Drawings Artists SpaceNew York, USA.
When You Think About Artcurator Sandra Bridie, George Paton Gallery, Melbourne, Australia
Into the Closetcurator Geoff Nees, The Carlton Hotel, Melbourne, Australia
Contemporary Australian Collagecurator John Buckley, John Buckley Gallery, Melbourne,
Tallis Foundation National Works on PaperMornington Peninsula Regional Gallery.
2007 This Crazy Love curator Jan Duffy, Linden, Centre for Contemporary Art, Melbourne.
Paper/Scissors/Rock West Space, Melbourne
2006 Regarding Retro: Reanimations of the Preloved curator Ingrid Hoffman, Bundaberg Arts Centre, Qld. Australian National University Student Gallery, ACT.
2005 Regarding Retro: Reanimations of the Preloved curator Ingrid Hoffman, Blacktown Arts Centre, NSW. Gladstone Regional Art Gallery, Qld.
Imaging the Apple curator Dr. John R. Neeson, McClelland Gallery, Vic. University of Sydney Gallery, NSW. Noosa Regional Gallery, Qld. Geelong Art Gallery,Vic.
2004 Imaging the Apple curator Dr. John R. Neeson, Ballarat Fine Art Gallery, Vic.Plimsol Gallery, University of Tasmania. LaTrobe Regional Gallery,Vic. RMIT Project Space, Melb.
120 degrees of Separation curator Jan Duffy & Amy Barret Leonard, Linden, St.Kilda Contemporary Arts Centre, Melbourne.
Transit Narratives curator Jon Cattapan, QCA Gallery, Qld. VCA Gallery, Melb. & Plimsoll Gallery, Hobart.
2003 Mesh curator Karee Dahl, The Art Gallery, National Institute of Education, Nanyan University, Singapore.
Pen to Pixel curator Kathy Leah, Ian Potter Centre: NGV Australia, Melbourne.
The Barcelona Studio: Fragments of a brief History curator Jonathon Holmes, Plimsol Gallery, Hobart. Selections from the Clemenger collection Ian Potter Centre: NGV Australia.
2002 Fieldwork Australian Art 1968-2002 curator Jason Smith, Ian Potter Centre: NGV Australia.
ARCO Contemporary Art Fair Madrid.
Transit Narratives curator Jon Cattapan, Centro per la Arti Vistve & Auronzo di Cadore, Italy.
Good Vibrations: the legacy of Op art in Australia curator Zara Stanhope, Heide Museum of Modern Art.
2001 Fallout curator Marylou Pavlovic, VCA Gallery, Melbourne.
Interactions between Art & Science curator Nick Waterlow, Ivan Dougherty Gallery, Sydney.
Paperworks curator Ann Kirker, Queensland Art Gallery, Brisbane.
2000 The Retrieved Object curator Elizabeth Gower, Linden Art Centre and Gallery, Melbourne.
Avant Gardism for Children curator Helen Nicholson, Monash University Gallery, Melbourne.
1999 Clemenger Contemporary Art Award curators Jason Smith and Max Delaney, Museum of Modern Art at Heide, Melbourne.
Avant-gardism for children curator Helen Nicholson, University Art Museum, Brisbane.
1998 Metamorphosis Mornington Peninsula Art Gallery.
Nature curator Kevin Wilson, Cooloola Art Gallery, Queensland..
1997 On the Line curator Paul Hales, Hales Gallery, London.
Gramercy Art Fair Gramacy Hotel, New York.
Beyond the Quilt Maidstone Museum and Art Gallery, London.
Perspecta curator Linda Michael, Museum of Contemporary Art, Sydney.
1996 The Art of Collecting #2 curator Elizabeth Gower, Linden Arts Centre and Gallery, Melbourne.
1995 Review- works by women from the collection Art Gallery of NSW.
Collectable Eggbeater Plimsoll Gallery, Centre for the Arts, Hobart.
Eve evolution Newcastle Art Gallery, NSW.
1994 Reference Points III: the Immediate Past Queensland Art Gallery, Brisbane.
Interfaces Art and Technology Griffith University, Brisbane.
1993 The Art of Collecting #1 curator Elizabeth Gower, Linden, St.Kilda Art Centre, Melbourne; Geelong Art Gallery.
1992 Inherited Absolute curator Elizabeth Gertsakis, Australian Centre for Contemporary Art, Melbourne.
Works on Paper by Contemporary Australian Artists curator Peter Ellis, RMIT Gallery,.Melbourne.
1991 Off The Wall - In the Air: A Seventies Selection curator Jennifer Phipps, Monash University Gallery,.Melbourne. Artists Make Books Linden Art Centre and Gallery,.Melbourne.
Artists Make Books curator Christine Johnston, Linden Art Centre and Gallery,Melbourne
Embracing Space Art Gallery of Western Australia.
Neighbours curator Julie Ewington, Contemporary Art Centre of South Australia, Adelaide.
1990's been done before Luba Bilu Gallery, Melbourne.
1989 The Intimate Object curator Geoff Lowe, 200 Gertrude Street Gallery, Melbourne.
1988 Moet & Chandon Touring Exhibition all Australian states.
The John McCaughey Memorial Art Prize National Gallery of Victoria, Melbourne.
1987 Backlash, Australian Drawing Revival: 1976 - 1986 curator Ted Gott, National Gallery of Victoria.
Domestic Contradictions curator Julie Ewington, Power Gallery of Contemporary Art; Arts Council Gallery,
Canberra; Shepparton Art Gallery and Experimental Art Foundation, Adelaide.
10 x 10 curator Lesley Dumbrell, Gertrude Street Gallery, Melbourne.
1985 Australian Perspecta curator Bernice Murphy, Art Gallery of New South Wales.
Gower, Jenyns, Neeson, Wulff curator Paul Zika, Fine Arts Gallery, University of Tasmania, Hobart.
1984 Isolaustalia curator Judith Balckall, Gallerie Lillo & Fondazione Bevilacqua, La Masa, Venice, Italy.
Australiana curator Judith Blackall, Galerija Studentskog, Belgrade.
On Site curator Paul Zika, Tasmanian School Art Gallery, Hobart.
1983 The John McCaughey Memorial Art Prize National Gallery of Victoria, Melbourne.
Recent Australian Painting: A Survey, 1970-1983 curator Ron Radford, Art Gallery of South Australia
1981 Australian Perspecta curator Bernice Murphy, Art Gallery of New South Wales.
1980 Drawn and Quartered: Australian Contemporary Paperworks curator Ron Radford, Art Gallery of S.A.
1979 Three Artists Powell Street Gallery, Melbourne.
John McCaughey Memorial Art Prize National Gallery of Victoria, Melbourne.
Biennale of Sydney: European Dialogue curator Nick Waterlow, Art Gallery of N S W, Sydney.
1978 Selections from the Michell Endowment curator Robert Lindsay, National Gallery of Victoria, Melbourne.
Lost & Found - Objects and Images curators Janine Burke and Meredith Rogers, Ewing and George Paton Gallery, Melbourne.
Australian Artists Cunningham/Ward Gallery, New York.
Treasures of a Decade, 1968-1978 curator Robert Lindsay, National Gallery of Victoria, Melbourne.
Five Melbourne Artists curator Elizabeth Gower, Coventry Gallery, Sydney.
The Map Show curators Kiffy Ribbo & Meredith Rogers, Ewing and George Paton Gallery, University of Melbourne.
1977 The Women's Show Experimental Art Foundation, Adelaide.
Fabric in Art Project 20, Art Gallery New South Wales.
1976 East Coast Drawing -Towards some Definitions curator Dom De Clario, Institute Modern Art, Brisbane.
1975 Women in Art Western Australian Institute of Technology, Perth.


2015 International Women’s Day, 40th Anniversary videos (with Lisa Radford) The Hub, VCA, Melb.
2014 3D Painting, VCA Student Gallery, Melbourne.
2013 Regimes of Value, Margaret Lawrence Gallery and The Substation Melbourne.
2010 Imaging the Apple (co-curator with John R.Neeson) AC Institute, New York, USA.
2000 The Retrieved Object Linden: St.Kilda Contemporary Arts Centre, Melbourne.
Excess Baggage VCA Student Gallery Melbourne.
1996 The Art of Collecting (in camera) (images) Linden Art Centre and Gallery, Melbourne.
1993 The Art of Collecting #1 (objects) Linden Art Centre and Gallery, Melbourne.
The Art of Collecting #1 Geelong Art Gallery.
1992 Inherited Absolute (with Elizabeth Gertsakis) ACCA Melbourne.
1986 The Source Centre for the Arts Gallery, Hobart.
1978 Five Melbourne Artists Coventry Gallery, Sydney.


2015 Brisbane City Council, Brisbane.
2012 Pulse on Inkerman, Melbourne.
1999 Super Dome, Sydney Olympics.
1995 Panorama Apartments, Melbourne
1994 City of Port Phillip, with John R. Neeson)
1992 Southbank, Melbourne.
1991 M CG Southern Stand, Melbourne.
1990 World Congress Centre, Melbourne.
1988 Victorian Ministry for the Arts Painted Tram Priject.


Artbank, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia, Ballarat Fine Arts Gallery, Bendigo Art Gallery, City of Port Phillip, Deakin University, Geelong Art Gallery, Melbourne University, Monash University, Mornington Peninsula Art Gallery, National Gallery of Australia, National Gallery of Victoria, Newcastle Art Gallery, Parliament House Canberra, Sale Regional Arts Centre, Shepparton Art Museum, Queensland Art Gallery, Queensland University of Technology, University of Tasmania, University of Melbourne, Wesfarmers, Melbourne, Private collections in Australia, New York, Sharjah, London, France, Italy.


2014 Regimes of Value: the Collection and Utilization of Urban Detritus as a Contemporary Art Strategy, PhD exegesis, Monash University, Melbourne.
2013 Regimes of Value, exhibition catalogue, Margaret Lawrence Gallery and The Substation, Melbourne.
2000 The Retrieved Object exhibition catalogue, Linden Arts Centre & Gallery, Melbourne.
1997 Building a Picture: Interviews with Australian Artists, by Gary Catalano pp100-109 McGaw-Hill
1996 "The Paper Chase: An interview with Elizabeth Gower’ Art and Australia Vol 34 No.1
1996 The Art of collecting *2 exhibition catalogue, Linden Arts Centre & Gallery , Melbourne.
1995 Chance or Design, exhibition catalogue, Ian Potter Gallery, Melbourne University
1993 The Art of collecting *1 exhibition catalogue, Linden Art Centre & Gallery, Melbourne.
1990 Agenda 'Artists Wallpapers' 13/14
1989 New Art Three, Profiles in Contemporary Australian Art Craftsman House (P80-83)
1988 Moet and Chandon, exhibition catalogue
1981 Lip, Feminist Arts Journal 1981 (p8-9)
1979 European Dialogue exhibition catalogue, 3rd Biennale of Sydney, Art Gallery of NSW.
1977 Meanjin "Six Women Artists" No.38 (p 308)


McDonald, Helen, ‘Repeat as Directed’ he loves me, he loves me not, exhibition catalogue, RMIT Gallery, Melbourne.
Winata, Amelio, ‘Conflicted emotion’ Art Monthly, Review, Issue 289, May 2016, pp 78-79
Nelson, Robert, ‘Elizabeth Gower, Alex Selenitsch works combine life, love and text’ The Sydney Morning Herald,
Nelson, Robert, ‘Life and text unite, as love hangs in the balance’ The Age, March 23, 2016.
Grant, Kirsty, Exhibitions: Richard Bell, Elizabeth Gower, Mutlu Sen and Pushpa Rawat, RMIT Galery’ Melbourne Art Network, March 7, 2016
Peers, Juliette, ‘ Elizabeth Gower: He loves me, he loves me not’ , Artlink
Fitzpatrick, Anthony, ‘And Friends’ Howard Arkley and Friends, Tarra Warra Museum of Art, pp 39-43
Nelson Robert, ‘Howard Arkley and friends: following the lines across suburbia’ The Sydney Morning Herald, January 14, 2016.
Crawford, Ashley, Financila Review, November 21 2015. ‘Howard Arkley at Tarra Warra is a tribute to collaboration’
Traynor, Anita, Howard Arkley and Friends
Coslovich, Gabriella, ‘The Art of Suburbs’, The Age, November 22, 2015
Rule, Dan ‘Elizabeth Gower Cycles and Matrix’ The Age, August 22, 2015
Melbourne Now, NGV: Australia,
Bunyan, Marcus, ‘Melbourne Now’ Art Blat
Sasnaitis, Francesca, ‘Melbourne Now’
Devery, Jane,’ Art and urban context: A survey of contemporary art in Melbourne, sees the cityscape as a recurring subject for many artists’ Icon Magazine, Issue 2.
Hughes, Helen & Croggan Nicholas, Impressario: Paul Taylor, The Melbourne Years 1981-1984, (Surpllus: MUMA) 2014.
McInnes, Vikki & Castagnini, Laura eds.’Regimes of Value’, Bureau 2 (University of Melbourne, VCA) p 157 -163.
Downey, Georgina, ‘Domestic Bliss’ exh. cat. Deakin University Art Gallery 2014.
Nelson, Robert ‘Artists fashion a treasure house of items from junk’ The Age March 20, 2013
Hughes, Helen ‘Regimes of Value’ Art Guide Australia, May/June 2013, pp 53-55
Heide MoMA, Heide Education, ‘Collage: The Heide Collection’, p.7
Vivian …. Discipline Lip
McFadden, Shelley
Gower, Elizabeth ‘Regimes of Value’ exhibition catalogue, Margaret Lawrence Gallery and The Substation, Melbourne
Cramer, Sue Less is More: Minimal + Post Minimal Art in Australia, Heide Museum of Modern Art 2012 (ISBN : 9781921330254) p. 63 and p.81.
Rule Dan, 'Cut with the Kitchen Knife' The Age, In the Galleries, April 28 2012.
Rule, Dan, 'Artists Go Back to the Cutting Board' Broadsheet , April 12 2012.
Webb. Penny, Elizabeth Gower, Pick of the Month, The (Melbourne) Magazine, February 2012, p.50.
Nelsen, Robert, 'Junk bonds itself to Trash Talk' The Age February 22, 2012, p.15.
Whiteley, Gillian, Junk: Art and Politics of Trash (I.B Tauus:London/New York, 2010) p.104-105,120,145.
Bunbury, Alisa Stick It! NGV:Australia, Ian Potter Centre.
McAuliffe, Chris The Shilo Project Ian Potter Museum of Art, University of Melbourne. 2010
Nelson, Robert "Geometric progression" The Age Nov. 3, 2010.
Rule, Dan 'Around the Galleries' The Age Features 18, Oct 30, 2010.
Broadsheet, Elizabeth Gower: Savings
Cramer, Sue Cubism and Australian Art, Heide Museum of Modern Art 2009.
Boland, Michael, 'Out of the Heide Museum of Modern Art, Cubism secrets emerge', The Australian, November 24, 2009
'Live in the Liimo' Armory Show Special VIP Event
Licata, Christine 'Elizabeth Gower' he loves me, he loves me not, exh. cat. AC (Institute) New York, Feb 09
Neeson, John R 'Elizabeth Gower' Amor Infiniti ,exh cat, AC (Institute) New York, January 2009.
Crawford, Ashley Art Around the Galleries The Age 30 August 2008.
Modra, Penny' Into the Closet' Reviews The Australian' 31 August 2008.
Nelson, Robert' The complete package for all to unravel' The Age 18 September 2008.
Vivian, Helen, ed.When You Think About Art … The Ewing and George Paton Galleries 1971 - 2008
(p 26, 30-31, 74, 77, 102,152, 184,-186,187). University of Melbourne 2008.
Crawford, Ashley This Crazy Love, exh. cat. Linden Centre for Contemporary Art, Melbourne 2007.
Dahl, Karee ‘Elizabeth Gower’ Rewak Gallery, University of Sharjah, United Arab Emirates 2007.
Crawford, Ashley ‘Elizabeth Gower’ Art Collector Issue 37 July-Sept 2006.
Just, Kate ‘Elizabeth Gower’ Eyeline: contemporary visual arts Number 59 2006.
Nelson, Robert ‘Exercises in containment and complementarity’ The Age Metro September 6 2006.
Bakehouse, Megan ‘The little things that matter’ Around the Galleries The Age Review 30/7/2005.
Hoffman, Ingrid Regarding Retro : reanimations of the preloved Blacktown Arts Centre 2005.
Morrell, Timothy' Elizabeth Gower: 50 Most Collectable Artists’ Australian Art Collector Issue 31 Jan 2005.
Morrow, Christine ‘Roll Call’ Inventories exhibition catalogue Margaret Lawrence Galleries at VCA 2005.
Bakehouse, Megan ‘Just cut out for her art’ The Age Saturday 20/11/ 2004.
Bakehouse, Megan “Elizabeth Gower’ The Age (Melbourne) magazine Nov.2004.
Taylor, Alex ‘Search and Rescue’ 120 degrees of Separation Linden- Centre for Contemporary Arts 2004.
Webb, Penny ‘Cut out for success’ The Age Nov 19 2004.
Duncan, Jenepher ‘Monash University Collection: shaping spirits’ Monash University Collection: Four Decades of Collecting g published 2003.
Gallatly. Kelly ‘Beyond the everyday: the art of Elizabeth Gower” Art Monthly No.157 March 2003.
Holmes, Jonathon ‘The Barcelona Studio: Fragments of a brief History” University of Tasmania 03.
King, Natalie ‘The Retrieved Object’ Like: contemporary Art magazine No.14 2003.
Kunda, Maria ‘In Extraordinary Detail’ The Barcelona Studio, University of Tasmania 2003.
Lakin, Shaune ‘Elizabeth Gower’ Art & Australia 40th Anniversary Issue. Winter Vol. 40. No. 4. 2003.
Leahy, Cathy ‘Elizabeth Gower’ Pen to Pixel : On Paper NGV: Ian Potter Centre 2003.
Parr, Adrian ‘The Politics of Immersion in the work of Elizabeth Gower’ Eyeline, No 50, 2003.
Bakehouse, Megan ‘US critic finds a lot to enthuse about’ The Age Review 23/10 2002.
Burke, Janine ‘All that is solid melts away” Beyond the everyday, Glen Eira City Gallery 2002.
Clayburn, Anna ‘Elizabeth Gower. Artist Profile’ Art Bank Issue 6. 2002.
Holmes, Jonathon “Am I or is Australia Far Away’ Transit Narratives Queensland College of Arts Gallery, Victorian College of the Arts & Tasmanian School of Art Gallery 2002.
Nelson, Robert ‘Making art from exquisite rubbish’ The Age 2/11/2002.
O’Halloran, David. “Lost to be Found’ Beyond the everyday Glen Eira City Council Gallery 2002.
Smith, Jason ‘No Compass: a postscript to fieldwork ‘Fieldwork: Australian Art 1968-2002’ NGV: Australia 2002.
Stanhope, Zara ‘Seeking the Op-timal Language’ Good Vibrations Heide MOMA 2002.
Williams, Linda ‘In the Cabinets of Science: Elizabeth Gower’s reflections on taxonomy' Beyond the everyday Glen Eira City Council Gallery 2002.
Munster, Anna ‘Symmetry and its Dissimilarities Intersections of Art and Science Ivan Dougherty Gallery 2001.
Nelson, Robert ‘Rebirth of the cool’ The Age 5/3/2000
Olvert, Merle ‘The Body of Work : Elizabeth Gower’ NSW Department of Education and Training 2000
Gott, Ted ‘Urban Inventories’ Clemenger Contemporary Art Award, Heide, MoMA 1999
Nicholson, Helen ‘Avant-Gardism for Children’, University of Queensland 1999
Timms,Peter ‘Art of pseudo-science’ The Age 21/4/1999
Catalano, Gary Building a Picture: Interviews with Australian Artists, pp100-109 McGaw-Hill 1997
McDonald, John ‘Sowing the seeds of a new vision’ Sydney Morning Herald 23/8/1997
Michael, Linda Australian Perspecta , exhibition catalogue, Museum of Contemporary Art, Sydney 1997
Radnay, Charles ‘Gower cuts graphic view of the world’ Geelong Adviser 20/2/1997
Camilleri, Rosie ‘There’s a chance these designs will appeal’ Sunraysia Daily 5/2/1996
Catalano, Gary ‘The Paper Chase’ An interview with Elizabeth Gower. Art and Australia Vol 34 No.1 1996
Marsh, Anne ‘Gower’s tiny slice of life’ The Herald Sun 11/9/1996
McKenzie. Robyn ‘Creative insights’ The Age 4/1996
Shingleton, Colin ‘When the Artist writes’ Art Monthly May No. 89.1996
Wilson, Kevin ‘1000 hot chocolates later’ 10 Years 1986- 1996 Linden Arts Centre and Gallery 1996
Gates, Merryn Chance or Design exhibition catalogue, Ian Potter Gallery Melbourne University 1995
Green, Charles Peripheral Vision: Contemporary Australian Art 1970-1995 Craftsman House 1995
McAuliiffe, Chris “Eyes on the Ball: Images of Australian Rules Football’ Art & Australia Vol 32. No.4 1995
McKenzie. Robyn ‘Reinvention of a natural argument’ The Age 6/12/1995
Rooney, Robert ‘Elizabeth Gower’ Melbourne Art The Australian 1/12/1995
Williamson, Clare ‘A Voluptuous Labour’ Beyond the Everyday & Fragile Life Contemporary Art Space, ACT 1994
Shingleton, Colin ‘A Fragile Life’ Agenda: Aust. Contemporary Art Magazine No34. 1994
Nelson, Robert ‘The Art of Collecting’ Agenda, Australian Contemporary Art Magazine Issue 32 1993
Rooney, Robert ‘Order appeals in throw-away paraphernalia’ The Australian Weekend Review 15/5/1993
Gertsakis, Elizabeth Inherited Absolute. Australian Centre for Contemporary Art, Melbourne, 1992
Kirby, Sandy ‘The Subject of Art and Craft’ Sight Lines : Women’s Art and Feminist Perspectives in Australia Craftsman House/Gordon and Breach 1992
Rooney, Robert ‘Boom goes the art of parenthood’ The Australian Weekend Review 15/8/1992
Kirker, Anne "Elizabeth Gower’ Beyond the everyday exhibition catalogue, Queensland Art Gallery 1991
Women’s Art Register '9 contemporary Australian Women Artists' Nonagon Women’s Art register 1991
Burke, Janine Field of Vision : A Decade of Change: Women's Art in the 70's, Viking/Penguin Books1990
Catalano, Gary 'Paradoxes of Imagery and Realism’ The Age 19/6/1990
Elliot, Hannah ‘Elizabeth Gower’ Tension Contemporary Art Magazine No.23. 1990
McIntyre, Arthur Contemporary Australian Collage and Its Origins Craftsman House 1990
Philip, Angela ‘Forget the fictions, the vibrant art is all’ The Weekend Australian 6/1/1990
Rooney, Robert ‘Re-cycled artworks should keep conservation department happy’ The Australian 8/12/90.
Sayers, Andrew 'The Modern Collage in Australia' Contemporary Australian Collage and Its Origins Craftsman House 1990, p.36-37.
Zimmer, Jenny ‘France beckons for Moet winner’ The Sunday Herald 2/12/1990.
Millar, Ronald 'An Exhibition of Private Arts' The Herald 15/2/1989.
Catalano, Gary 'Calm in the Face of Sublime' The Age 30/9/1987.
Ewington, Julie Domestic Contradictions exhibition catalogue, Power Gallery of Contemporary Art 1987.
Millar, Ronald ‘Elizabeth Gower’ The Herald Magazine 7/10/1987.
Petelin, George 'An Inspiring celebration with rich exuberance' The Australian 19/6/1987.
Rooney, Robert 'Cursory curating is such a doodle' The Australian 12/12/1987.
Smith, Terry ‘Domestic art: when the inside comes out’ Times on Sunday 5/7/1987
Williams, Donald In Our Own Image: the Story of Australian Art, McGaw-Hill 1987.
Woolcock, Phillis 'Variety- six artists in three galleries' Courier Mail 25/6/1987.
Gott, Ted Backlash: The Australian Drawing Revival exhibition catalogue, National Gallery of Victoria 1986.
Lynn, Elwyn 'Chance to test penchant for drawing' The Australian 19/4/1986.
McDonald, John 'Drawings catch a glimpse of thought' Sydney Morning Herald 11/4/1986.
Austen, Gayle ‘A pleasant haunt for artists’ The Sun 24/1/1985.
Blackall, Judith Isolaustralia, exhibition catalogue, Gallerie Lillo, Fondazione Bevilacqua la Masa, Italy 1985
Holmes, Jonathon Isolaustralia Gallerie Lillo, Fondazione Bevilacqua la Masa, Venice 1985.
Holmes, Jonathon ‘Elizabeth Gower’ Perspecta Art Gallery of New South Wales 1985.
Lynn, Elwyn 'Favourites, censore and other monsters' The Australian 2/11/1985.
Murphy, Bernice Australian Perspecta exhibition catalogue, Art Gallery of New South Wales 1985.
St Leger, Deborah 'Gower, Jenyns, Neeson, Wulff'’ Art Network 16, winter 1985.
Burke, Janine "Women's Art and Feminist Criticism’ Anything Goes : Art in Australia 1970 –1980
Art & Text 1984.
Corlett, Denise Changing Hemispheres: Two eras of Australian Art Abroad Melbourne University 1984.
Cramer, Sue 'Works on Paper’ The Age 6/12/1984.
Holmes, Jonathon “Elizabeth Gower : All Life Long” On Site School of Art 1984.
Millar, Ronald 'Fine Art for Xmas' The Herald 6/12/1984.
Rooney, Robert 'Bridging the Gap between the artist and the academic' The Age 3/12/1984.
Taylor, Paul Anything Goes. Art in Australia 1970 –1980 Art & Text 1984.
Holloway, Memory 'Senbergs finds a rich seam of meaning' The Age 15/11/1983.
Millar, Ronald 'A Dramatic Picture' The Herald 10/11/1983.
Radford, Ron Recent Australian Painting: A Survey 1970-1983 Art Gallery of South Australia 1983.
Stavrianos, Wendy "Elizabeth Gower - Nylon Tubes in folded newsprint’ Art and Australia, No1. 1983.
Bates, Elizabeth "Elizabeth Gower’ Semper 3 4/1982.
Langer, Gertrude 'Small with Important Statement' Courier Mail 23/3/1982.
Makin, Jeffery ‘New artists cause a stir’ The Sun 1982.
McWhinney, Angela 'Elizabeth Gower, FASS Broadsheet University of Melbourne 13/9/1982.
Millar, Ronald 'The Best of Banyule' The Herald 12/8/1982.
Borlase, Nancy 'The Answer to the Biennale is Good' Sydney Morning Herald 30/5/1981.
Borlase, Nancy 'Women's Work Takes Wing’ Sydney Morning Herald 1/8/1981.
Lynn, Elwyn 'If you can't stand the tweet get out of the kitchen' The Australian 1/9/1981.
McGrath, Sandra 'Perspecta 81' The Australian 30/5/1981.
Murphy, Bernice Australian Perspecta exhibition catalogue, Art Gallery of New South Wales, 1981.
Bonython, Kim Modern Australian Painting 1975 - 1980, Rigby Limited. 1980.
Burke, Janine "Bringing it all Back Home’ Art and Australia 18, winter 1980.
Fraser, Alison 'Wedges, fans and books from art's poor relation' The Australian 1/9/1980.
Makin, Jeffery ‘Elizabeth’s a risen star in art’ The Sun 1980.
McCulloch, Alan 'Risen Star' The Herald 28/8/1980.
Rooney, Robert 'Sorting out Paperwork' The Age 27/8/1980.
Abrahams, Christine “Women in Art” Bulletin National Gallery Society August 1979.
Borlase, Nancy One great scoop’ The Sydney Morning Herald 14/4/1979.
Catalano, Gary "The Withheld and the Unmasked" Art and Australia 17, Dec 1979.
Eagle, Mary 'Ideologies of an Art Revolution' The Age 25/8/1979.
Eagle, Mary 'Artists in an Era of Little Belief' The Age 29/12/1979.
Makin, Jeffery ‘Nolan: a look at those first years' The Sun 1/8/1979.
McCulloch, Alan 'Visual Excitement' The Herald 2/9/1979.
McGrath, Sandra ‘A rather by the way Biennale’ The Australian Magazine 14/4/1979.
Trevorrow, Mark 'More Women should have a place’ The Sun April, 1979.
Burke, Janine Lost & Found - Objects & Images Ewing & George Paton Galleries 1978.
Eagle, Mary 'Prize Goes to Odd Man Out' The Age 2/5/1978.
Eagle, Mary ‘Show maps out the new style’ The Age 17/5/78.
Eagle, Mary ‘Pacesetter shows some of its best’ The Age Oct.1978.
Lindsay, Robert ‘Elizabeth Gower’ Treasures of a Decade: 1968 –1978 National Gallery of Victoria 1978.
Makin, Jeffery 'The Best 10 from the National' The Sun 23/8/1978.
Makin, Jeffery ‘Incredible work with a shutter’ The Sun 18/10/1978.
McCulloch, Alan 'Prize of Great Pioneer’ The Herald 4/5/1978.
McCulloch, Alan ‘Consumer objects lost and found’ The Herald Oct. 1978.
McGrath, Sandra 'A tough intellectual stringency' The Australian 17/6/1978.
Sturgeon, Graeme ‘Back to school’ The Australian 31/10/1978.
Burke, Janine ‘A skill that borders on magic’ Melbourne Times 7/1977.
Burke, Janine ‘Deneutralizing the mainstream: Three Women Abstract Painters’ Arts Melbourne 5, 1977.
Gilchrist, Maureen ‘Refreshing solo show’ The Age 22/6/1977.
Makin, Jeffery ‘2 paths for the young’ The Sun 6/7/1977.
Millar, Ronald 'Flawed but not a folly' The Herald 23/6/1977.
Sturgeon, Graeme 'Weaving a Paper Spell' The Australian 2/7/1977.
Borlase, Nancy 'Vintage Leger’ Sydney Morning Herald 27/5/1976.
Burke, Janine 'Lifting a Thin Veil' Melbourne Times 8/8/1976.
Gilchrist, Maureen 'Women top the local art scene this week' The Age 1/9/1976.
Gilchrist, Maureen 'Facing the Issues' The Age 8/9/1976.
Gilchrist, Maureen ‘Women painters shine’ The Age Dec.1976.
Makin, Jeffery 'But where is the opinion?' The Sun 1/9/1976.
McCulloch, Alan 'Enigmatic Women’ The Herald 2/9/1976.
Owen, Wendy 'The Art of Paperwork' The Age 3/9/1976.
Sturgeon, Graeme 'Rich and Fragile' The Australian 11/9/1976.
Makin, Jeffery ‘New naturalism in hybrid offshoot’ The Sun 7/1975.
McCulloch, Alan ‘Masterpieces may stagger you’ The Herald 1975.
Mayhead, Gerald 'Out of the Drama - Art' The Herald 13/8/1973.